Homegoings: A righteous space for art and race
Kiah Morris | A Live Performance
Season 2 Episode 3 | 26m 4sVideo has Closed Captions
She’s an artist, author, poet, advocate, leader, mother, sister, a former Democratic member.
Kiah Morris is one of those people who speaks only in the language of truth. She’s an artist, author, poet, advocate, leader, mother, sister, a former Democratic member of the Vermont House of Representatives, and Commissioner for Vermont Commission for Women. She’s also a singer and a poet, Black beauty personified. Homegoings features candid conversations about race with artists, experts
Homegoings: A righteous space for art and race is a local public television program presented by Vermont Public
Homegoings: A righteous space for art and race
Kiah Morris | A Live Performance
Season 2 Episode 3 | 26m 4sVideo has Closed Captions
Kiah Morris is one of those people who speaks only in the language of truth. She’s an artist, author, poet, advocate, leader, mother, sister, a former Democratic member of the Vermont House of Representatives, and Commissioner for Vermont Commission for Women. She’s also a singer and a poet, Black beauty personified. Homegoings features candid conversations about race with artists, experts
How to Watch Homegoings: A righteous space for art and race
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Providing Support for PBS.org
Learn Moreabout PBS online sponsorshipMore from This Collection
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Stand-up comedian who grew up in the south but hails from VT. Ash has some demons that are assets. (25m 42s)
Matthew Evan Taylor | A Live Performance
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A composer, musician and professor of classical music, busting down barriers. (24m 11s)
Saidu Tejan-Thomas Jr. | A Live Performance
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Providing Support for PBS.org
Learn Moreabout PBS online sponsorship-Hey Homegoings Fam.
-I'm Myra Flynn, -creator of Homegoings, -the Vermont Public Podcast -!featuring candid conversations -about race -with artists of color.
-The artists -I interview are so prolific -and so talented that -for a second year in a row -we've staged -a live performance -with them -for a heartfelt night -of music, -dancing, storytelling, -and in this case, -a hybrid of sorts.
-With no terms of endearment -or forgiveness -racism, misogyny -white supremacy, capitalism, -oppression, genocide -I see you for who you are -and what you really are -In the homgoings tradition -we topped off the evening -with a Q&A session: -vulnerability personified.
-This is Homegoings.
-Welcome home.
-Kiah Morris!
-I said, -KIAH MORRIS!
-(cheering) -Ive gotten to know -Kiah over the years, better.
-And what's really cool -about Kiah is that she -is someone who always speaks -truth.
-Everything she says is worthy -of being believed.
-And this is likely because -she's had a lot of life.
-Kiah has done a lot and often -I'm asking myself, what has -Kiah not done?
-She's an artist.
-She's an author.
-She's a poet, -an advocate, a leader, -a mother, a sister.
-A former Democratic member -of the Vermont House -of Representatives -and commissioner for Vermont -Commission for Women.
-You know, between sleeping.
-(laughing) -She's also a singer.
-She's a singer.
-And she was featured -in our episode, Black Beauty: -What does it mean -to be beautiful?
-So up next, -Kiah is going to add -being a songwriter -and a singer -to her list of excellence.
-Please give it up for Kiah -Morris, -who is Black beauty -personified.
-(applause) -Good evening, friends.
-I'm so pleased -to be able to be here tonight -with you all to share -this work.
-And I'm accompanied -by some amazing folks -who have been a part -of my life and my -journey here in Vermont, -!coming back into my own voice.
-And one of the things -that happens when you create -your own book of poetry -is it becomes a thing -that other people can -then hold, becomes a thing -that people can read, -connect with, critique.
-And it's kind of terrifying -because you pour your heart -and soul into your words.
-And each and every -word is precious, right?
-I've been fortunate.
-I've been fortunate that -!my music, my words, my rhythm, -they speak so today on bass, -we have Joe Wiley, -(applause) -Dov Schiller -Nick Char -So these are some pieces -from my book.
-The first one we're going to -do is called, Anthem.
-(bluesy music) -My, you seem angry -white supremacy says -with a snarky, sadistic grin -as it presses its hand down -upon my face -crushing my upturned nose -and my chin, see -this is the only way -that business -works, the business of world -domination -and we've determined -that your participation -is just an important part -of submission -into the manipulation -of determining -your place in this nation -for your citizenship -is conditional.
-See, there's -no true birthrights -to respect or humanity, -firstly -because of your race.
-We owned -you before you were born -!a legacy in a system that sees -you never as truly human -equal to none and inferior -to all, inferior to all -so don't tell me that your -life matters, girly -because it doesn't.
-All lives matter -it says, not Black lives, -all lives matter -because acknowledging -your place in this world -requires a recognition -of a unique human experience -that we've determined is -not worthy of recognition.
-How dare you even breathe -with such grace?
-And each conversation -must be dank, heated -and heavy -in order to be legitimate.
-A true bloody battle of words -but we will never fight -fair, it says.
-We gleefully paint ourselves -with your spilled blood -as the victims of your evil, -your truth -telling, your interruptions -to our superior trains -of thought.
-See, I was once -told that you do not have to -go to every battle -that you are invited to.
-So why is my existence -such the site of -so much spiritual warfare?
-So we will talk over you.
-We will dismiss you.
-We will repackage your ideas, -call them our own, -name it -diversity and then profit -richly on your name.
-As we are known to do.
-And then Corporate America -chimes in a sneer -and it says, your hair is -just a little too -revolutionary.
-It's so unkempt -and so nonwhite.
-See, the time has come -again and again -that promotions in my career -sink perfectly upon -when I actually adorn -and move into -assimilating whiteness.
-I have to prove my worthiness -to enter my commitment -to become other, -to ascend beyond.
-All of my hard work -and accomplishments are still -beholden to the whims -of someone else's grace, -someone else's willingness -!to give me what I have earned.
-See, and I live in -liminality, -never really sure that I fit -their twisted tribal team.
-Fit, family, culture, -exclusionary, -whatever the human resources -catch -phrase of the day is that -determines my -professional marginalization.
-See, I just keep demanding -acceptance into the places -they tell me -that I don't belong.
-And see the gatekeepers, -they hold tight the keys -and as they were -trained to do and -and they smile in your face -and say -you deserve but a penance -and will receive far less -until you prove -your worthiness again -and again and again.
-You will do more.
-You will make a way out of -no way.
-You will absorb -all the psychic baggage -and physical destruction -that that exclusion causes.
-See, -because you have been bred -through slavery, -unatural selection -!to have a supernatural ability -to endure too much.
-You will dance, -you will produce -until your fingers bleed, -and you collapse -from the sweat equity of the -Black American nightmare.
-And so I pull the food -from my child's mouth -to pay the exorbitant -price of admission -that's promised through -credentials -and accreditations -and degrees -and professional development -and more commitment -than others are ever expected -to give.
-It was all conditional.
-It was all laid out -in legalese.
-!I just didn't read between the -fine lines -over the print my life -I, I trusted in -the goodwill of the powerful -and now I'm left -spent crushed and quivering.
-And so I fight back -with the strength -of a -hundred dark skinned -Queens -who were told they were -pretty, for a Black girl -I speak louder with a -conviction and -the ferocity of a thousand -servant women -who are told that -they are poor -because they are lazy.
-I blatantly call out -systems of oppression -with tactical acuity -of women warriors -like Nzinga, Tubman, -Nannie and Shakur.
-And they turn on me.
-They scream in my face.
-They say, foolish girl, -it was you all along.
-It is you -who has wounded our pride.
-And you need to make us -whole again.
-And then I fight back tears, -exhausted from so many -!daily battles, tired and worn, -my defeat is what they want.
-My acquiescence -is what they need -in order to put things back -into their rightful order.
-But I know that I -I cannot be beaten -unless I allow it -and no longer a conscientious -objector to participating -in this war for my soul, -here and now.
-And the agony, -the agony -that is concealed -within cannot be held back.
-I start to feel -the dignity of -my foremothers being -pulled out of whack, -my spine stacked high -with historical memories -of warriors and goddesses -who bowed to no one.
-And thus begins -my transformation -into my real self.
-My skin tears at the mask -that I wear -when I choose to hide.
-Torn off with no sense of -natural pride, skin -reddened and weary -eyes hot and tired -from tears crying hours -!on end, tears a thousand years -in the making -blinding tears -and my body -in all consuming agony, -there is nowhere left to go -other than to leave -this fallacy.
-I look at my complicity in -fostering this repression.
-I see the carnage -brought by this oppression.
-I look at the photo album -of my memories and I realize -that my -smile has always been there, -but only for a moment -and not real.
-And it all becomes too much.
-Blood rushes forth.
-And I choose, -I choose today -to call you out by name -with no terms of endearment -or forgiveness, -racism, misogyny, -white supremacy, capitalism, -oppression, genocide.
-I see you for who you are -and what you really are.
-And I will not accept you -or any of your relatives -on this blood -stained family tree.
-I will not leave this legacy -to our children.
-I will not let them -believe for a -moment that this -must be their truth, -their reality.
-See, because mine is mine -to create.
-My life is mine.
-And I will rise.
-I will rise.
-(improvised singing) -oh, no.
-I will rise -I will rise -I will, I will rise.
-I will rise.
You will rise.
-We will rise.
-We will rise.
-We will rise.
-We will rise.
-We will rise.
-(improvised singing) -We, we will rise.
-It's terrifying to feel like -you can tap into the place -that you start -to articulate the pain -that you might be holding, -as well as the hopes -that you have -for what will happen -once you produce -that piece of art, -as well -as whether or not anyone's -going to actually get it.
-Are you going to feel -the depth of that?
-Are you going to understand -what that was like?
-But there's a healing -that always comes -because someone else -can relate to that, right?
-Someone else can hear -those words.
-They can understand -where you were going -when you chose to add -those particular intonations -to the music.
-They get it when you're -coming with that inside joke, -they get into the joke -and now they're an insider.
-Like those -are all those things -that the movements -that you'll do, -!you're like, I felt you there.
-I felt you as you moved.
-I felt the wind.
-I felt the spirit.
-That's, thats what helps.
-Thats what helps.
-But healing, you know, as -we know, is not linear.
-So neither is creative work.
-This next piece -is a compilation -in honor of genocides -that took place in Honduras -and El Salvador, -following a trip that I took -with Oxfam America.
-!I, I saw the places they died.
-I saw the places they died.
-I saw the blood on the -wall as if it were fresh.
-I saw the -bullets pierce their flesh.
-I saw the places they died -and their spirits went on -to a heavenly place, far -from a war torn country -of our design, -which orchestrated their -very demise.
-Brick walls, -splashed with stucco -metal bars on windows, -each home a fortress -to the violence that lies -in wait across thresholds.
-I saw the places they died -and the tears -behind the eyes of a priest -who saw too much.
-Mental memorials -to the expressions of horror -and the sadness -on the face of a mother -who died trying to save her -daughter's life.
-Their state sanctioned orders -to leave -no witnesses behind -told them to fillet her face -!so that no one might recognize -their own -mothers -gaze in her frozen stare.
-I saw the places they died -where children -were not spared.
-No life too precious -to halt corruption -and gang warfare.
-Daily genocides -where there are no places -to hide.
-These weary hands that -hold -life and death in the same -breath -A pain, a pain -no mother should know -and a violence that -has no depth -(improvised singing) -Oh why?
-Oh why, Mother -Earth, she cries -because we've turned our eyes -from genocide.
-!Oh, I saw the places they died -in the cobblestone streets -where the people are pawns -in a corruptors end game -!and the depths of the violence, -it has no shame.
-I saw the places they died -when I heard the women speak -!of the violence that they face -every day, every week.
-The dignity decimated.
-The beatings meant to break -and the constant earthquakes -which break -the fragile state.
-The normalcy of rape.
-And I saw the places they -died and the hopeful -smiles of the proud feminists -who wear their burdens of -their sisters like a shield -to protect the dignity -of their sisters, who -is too often forced to yield.
-I saw the places they died.
-Float off into still air -!laden with promises and hidden -ambitions laid bare.
-And so I craft pedal -with poems -to form a book dropped off -in a history of genocide, -in the hopes -that the roses -will display and will -propagate a garden in -honor of the many, -many places that they died.
-(improvised singing) -These weary hands -that hold -they hold life -and death -in the same breath.
-Oh, and the pain -no mother should know -It's a shame, its a shame -that has no name.
-Oh why?
-Oh why?
-Mother earth, Mother -earth, she must cry -Oh why?
-Because, -because we've -all closed our eyes -to genocide.
-She entered the dialog -like a rush of wind, carrying -the stories -that only remain in the woven -threads -of the traditional garments -held by Turistas -at the side of the road.
-Each handcrafted -flower and colorful flourish -the remnants of a tongue -that she never knew, -but a presence -that demanded visibility.
-In one breath, they said, -no one remained.
-Their presence reduced -to a spectral chapter, -one from which -the audience was too -inept to acknowledge.
-And she made it clear -she lives.
-They live.
-(singing in Spanish) -(singing in Spanish) -(singing in Spanish) -(singing in Spanish) -And the tears -they flowed -like a cleansing rain -that falls on -to our clumsy -foot path carved -by colonial mentalities -and a -history of genocide -that linked her world -to mine, -her lineage to mine.
-And they call us mestizo.
-They call us mulatto.
-They call us colored, -they call us indigeno.
-We are here.
We are here.
-We are, we are.
-Weve always, always, -always, always been -here -and these hands, -these hands -that hold -life and death -in the same breath -and the tears, the tears, -the tears -that no mother should know.
-And a shame, -a shame, a shame -that has no depth.
-Oh why, oh why?
-See Mother Earth, -she cries, she cries, -she cries.
-Oh, tell me why.
-Why?
-Because weve -closed our eyes to -genocide.
-(applause) -Thank you, thank you, -thank you.
-Thank you.
-!Thanks so much for joining us.
-If you want to continue -to be a part of the -Homegoings family -stay in touch at -homegoings.co -and subscribe to the -Homegoings podcast -wherever you listen.
-Take good care.
Homegoings: A righteous space for art and race is a local public television program presented by Vermont Public